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Saturday, May 18, 2013

Special Thanks and Patrons to Ghost On A Stick Indiegogo campaign

Hey.

I just wanted to once again offer my intense gratitude for the people below who gave their support to fully fund GHOST ON A STICK.  Just three weeks until the show opens!

Tickets can be purchased HERE:



SPECIAL THANKS
Sascha Lorren
Gary Lizardo
Jonathan Pearson
Andy Hungerford
Diane Hubbell
Reggie De Leon
Lisa Kim
Hannah Barudin
Emily Billig
Paul Backer
Tyson Turrou
Ryan McCurdy
Winnie Lok
Nancy Chandler
Shaun Peknic
Dylan Kenin
AJ Ditty
Jenn Litfin
Kathryn Albert
Emily Travis

PATRONS
Meredyth Kenney
Stacy Keele
Alan Corcoran
Jennifer Moraca
Bobby Lux
Lizvette Chavez
Zachary Locklin
Rosa Belerique
Logan Sparks
Erinn Koch
Joe Hogan
James Cobb
Shaun Gallant
Ashley Mayhew
Melissa Qualle
Paulajean Eagleman
Robert Heintz
Jelina Seibert
Kelli Hines
Karen Lotko
Beatriz Jones
Joseph Lankheet
Jasmine Khong
Kelly Brinker
Anna Romero
Rockford Sansom
Lewis Crouse
Louis Berlin
Bryn Carter
Zadkiel Bachiller
Joni Ernst
Carlos Acosta
Len Moors
Karlene Mills
Mageina Tovah
Ashlee Brown
Julia O’ Brien
Jessica O’Hara Baker
Douglas Clayton
Rita Gurrola
Elspeth Carden
Jeric Jones
Valerie Macaluso
Jody Pierce
Allison Kueberth
Anne Delfin Schnirch
Gregory Cohen
Shannon Fillion
Tonja Gilson
David Patrick Ford

Tuesday, May 14, 2013

Think About It - first draft of new song

Hey.

So, I'm hard at work on Ghost On a Stick.

Check us out on Facebook:

facebook/ghostonastick

Twitter:

@GhostOnStick

and of course, our super amazing website (thanks to Fanboy Design)

www.ghostonastick.net

And, like always, whenever I'm super stressed, new songs tend to pop in my head and demand attention.

Tried to put this one off, but it wouldn't shut up.  So, I set some time aside, let it tell me how it wanted to sound, and whipped up a first draft.

Take a listen!

Lyrics

first verse
she said she'll think about it
you've made your feelings known
and now you think about it
cards on the table

sure
you're scared
shudder with senescence
you're
so tense
but it's rarely presence
now it's months to wait
let time abate it all

pre-chorus
she's got a poker soul
you've got game
like candyland
but then she smiles wide
you see a glimmer
and you understand

chorus
good things might come to those who wait
just be simple
keep your head on straight
step lightly
with an even gait
while manhattan spins
i'll be gracious, gentle grins

second verse
she said she'll think about it
and that is fine by me
i sit here think about it
damn
the norm
let's defy convention
I'm
not nice
I'm just paying attention
she's not a rebound girl
and work, it overwhelms

pre-chorus and chorus

bridge
i know  - don't expect a thing
but won't deny what comes
no motives made
just want some moments
by your side
we'll never stop being busy
don't want to hide, being busy
just try me
i'll try you
tell me you'll think about it

third verse prechorus and chorus
(same as first)



Thursday, April 4, 2013

Bowling with Dad

Hey.

So I'm talking to you, dad. It's lane four and I'm wearing rented, tight-pinching shoes.

I'm surrounded by actors. I love actors. One on one, intense, unyielding discussions over dinner. Watching them work. But put more than four of us together in a room and it's like a methadone clinic. Addicts being addicts. Loud, boorish choruses of our shadowed selves that can grate.  Or, in my current situation, anxious, itchy, sullen types who grow paranoid based on the slightest unsettling stimuli.

Not judging.
I switch between these modes all the time.

And we're bowling. I always forget, until the moment I'm walking down a lane with nine pounds of sluggish stubbornness, why I don't bowl.  You tried your best, dad.  Held my bony hand inside your weathered paw, offered a shy smile, reminded me to point my thumb and my wrist straight, follow through, pelvis out.  It just didn't take, like all other sports. Naturally, I gave up and and went back to my favorite activities: daydreaming about being in love, singing made up songs to myself, and reading.

It's the third frame.  I've got a score of 6 at the moment. And you know me, dad. I'm not half-assing it. I don't half-ass anything. I'm taking my time, hearing your voice in my head, trying to follow the steps. And it just doesn't work. I'm eight again, and I have no skills and everyone else at this party are in love and happy and ripe with promise and I'm just a fat weird poor brown kid from modesto who can't roll a ball straight.

First ball down the lane. I stare down the pins, and find myself pleading with you: C'mon, dad.  Help me out here. Don't let me further embarrass you.  Summon up some wind. Something.  An earthquake, maybe. Just strike down these ten soldiers rising up against me.

And I roll.

The bowling ball shoots steady and fast down the middle for a few feet, then wildly skips to the right, lapping at the gutter.

Ten pins still stand.

My head drops. And then a friend spies me, cheers me on.

Even though you died over seven months ago, dad, I can hear you sigh. It's an orchestral sigh. You sigh because you know that this friend, with the holes in her stockings and a grin that shoulders a river of hurt, this friend is another silly crush of mine.  Unobtainable.  You sigh because you've seen it before and there's nothing you can do to save me from my foolishness. It's not my path, relationships and all.

While I wait for the ball to return to me, I apologize for my terrible bowling, mutter: "You know, I'm the only kid in my family who never won a bowling trophy".

I wedge my fingers into the misshapen holes, lift the mass, and walk down the lane again.

But just as I lean back to release the ball, she says:

I'll make you a trophy.

Dad, my wires crossed, and I almost sat down on the ground. I turned my head, choked back a sob, and disguised it as a laugh. Tossed the ball and knocked one pin down, head swimming.

I'm 34 years old, dad. Same age you were with three kids. Something like that shouldn't unravel me. You dealt with floods and children who almost died and children who were mislabeled as autistic and incurable. I'm a potted plant.

My role in improving this human experiment has been minimal at best. I need to give more people trophies.   I need to stop wanting them so much from others.  And if I'm given a trophy, I need to be grateful. Not glum out and wish it was bigger, or more prestigious, or a friendship trophy instead of a boyfriend trophy.  Just give thanks. 

I hope you're well, dad.

Love you...




Monday, March 18, 2013

My first Indiegogo fundraising campaign - for Ghost On a Stick

Hey.

So, this started today:

http://igg.me/at/Ghostonastick

So excited and terrified. My first Indiegogo fundraising campaign, and it's for the world premiere of my one man show, GHOST ON A STICK.  Please take a look the amazing work at the site, and please donate and share with your friends!


Friday, February 22, 2013

Thoughts on Ghost on a Stick

Hey.

Started pre-production work on my one man show:  GHOST ON A STICK.  One of my tasks was to come up with a nice, short summary of the play for the festival.

That meant rereading the script.  Since I last revised it in January 2012, I hadn't read it. Sent it to tons of people hoping to stir up interest or get it produced somewhere. But over a year had gone by and I avoided looking over the work.

Why?  Didn't want to get my hopes up and revise it another time unless there was a specific goal in sight, I suppose.  But the real reason is that this play frightens the hell out of me. Being a semi-autobiographical account, there's some raw, embarrassing truth on those pages. 

So I read the script. Bawled like a baby. Identified some of the clumsier moments, and expressed disbelief with how wickedly the last third unfolds.

And days passed.  Today, I checked in and tried to figure out why I'd been feeling so shitty yesterday and today. Shut down. Unable to focus or summon the will to do any self care.  Wasn't until I dragged myself outside to go walk in the forest that it finally made sense.

It's a weight of overpowering shame and guilt.

At the time most of the events in Ghost happened, this was me:


I was poor as hell. Felt immensely ugly. Ate unbuttered toast and water for every meal at home for a year. Looking back on 2000-2010, I see how much of a selfish, abusive monster I was.  And it sickens me.  So much time wasted. An acting career stalled by fear and self-doubt.  Thousands of people treated like garbage.  People I loved that I let down in small, irreparable ways.

Like to say that, with a decade behind me, that I wouldn't be so callous now, that I wouldn't treat a job as a license to hurt complete strangers because my life was spiraling out of control. That I'd be a healthy, welcome part of a relationship. But I really don't know if that's true. Since then, I haven't had a relationship last longer than a month and a half.   Today, I strain so hard to be a decent person even when I don't feel like it, but it feels like a rotting mask about to cast off at any time.

And with the news that Ghost is going to be a living thing with a world premiere and a production staff and people to watch it, new levels of fear and shame emerge.  Who the fuck do I think I am to steal together parts of my life and my friends and loved ones and throw it out there for people to see?  How arrogant and selfish am I to go out and beg the world to help me finance this story?  Who really wants to see me and this play anyway?

Finding solid answers to those questions will be my project these next few months.   

 The heart of Ghost On a Stick is this:   We each want to believe, so fervently, in a sense of control and recognizable order. It's what keeps us from screaming and screaming with the realization that we shall one day cease. Yet, there's always that singular moment for each person where it's clear that the construct we've made in no way matches up with the commonplace horror of what we eventually experience.  A healthy person learns to redouble their kindness and appreciate what pockets of love they receive.  Or, in the case of this story, they can become savage, sharpen their skills and enjoy how well they can torture people, burning themselves out with the misguided belief that work will set them free.

 Somewhere in that summary is a powerful, essential piece of theatre.  Got four months and crew of wonderful people to find it.

Thursday, February 14, 2013

Word Buddy- new love song

Hey.

Like almost everything I do, this song grew out of an inside joke between myself and a friend of mine, Catherine Fowles. But, as time grew on, I discovered that this concept of "word buddies" - child-like as that phrase may be - really encapsulated the relationships I enjoy.  Raw, open discourse with people who continually remain unsatisfied with small talk.  Kindly beasts who press me to elaborate and who do not blink when I firmly do the same.

And this desired exchange with others, (combined with my deep, abiding affinity for pushing words together like toy cars in a sandbox), resulted in this song.

It's a love song about linguistics.  When it comes to my adult definition of love, Leo Buscaglia continues to shape my muddy thoughts.  In short, my pledge when I love someone is the following: to pay them attention and to fill their humble vessel with kindness and unexpected support. Granted, there are are a multitude of degrees these ministrations can take.

Lyrics and the video are below. There's quite a few odd, informative links in the lyrics, so be sure to poke around!

first verse

triadic relation
stepping out  through the mind's root cellar door
using echolocation
oh joyful noise  im craving more

sure i know im silly
sure i know youre cheeky
got a manicured mind
sure youre salty like a well-timed
epithet
sure i know your ribbing is the generous kind

chorus

but i dont want palaver and prattle
chew the sound and scorn the meaning like cattle
ill challenge you to signify
until i die
youre my word buddy

second verse

etymology hearken
buddy borne from brother kinship galore
see your countenance darken
its not so heady
heres whats in store

sure i know im zealous
sure i know your kidding cuz youre really quite scared
sure your armor is the fold of a syllable
sure i know that terror when your meaning is bared

but i dont want palaver and prattle
chew the sound and scorn the meaning like cattle
ill challenge you to signify
until i die
youre my word buddy

bridge

i must confess
ive got a motive nestled neatly
through this song
try to impress
pare down the facile and obsequious
its wrong
no matter if
were friends or sharing whispers in our bed
lets galvanize
cache your cogitations in my head
so one day senses fed
i will confide
i love you
and you will know the timbre of my
tidings
thats all i want

third verse

triadic relation
seeking to understand before i reply
feel that flush of elation
our resonation stronger than you and I

sure i know im silly
sure i know youre cheeky 

sure i know im silly
sure i know youre cheeky
got a manicured mind
sure youre salty like a well-timed
epithet
sure i know your ribbing is the generous kind

chorus

but i dont want palaver and prattle
chew the sound and scorn the meaning like cattle
ill challenge you to signify
until i die
youre my word buddy

youre my buddy 




Friday, February 1, 2013

Two years in NYC

Hey.

The day after I buried my father, I headed back to New York City.

Didn't travel so much as just sobbed cross-country.  I was working off a bad head cold, too. Airline personnel were hugging me. The rubber band stretched tight inside my chest the four months from my father's death until that final moment where they lowered his ashes into the earth finally snapped. Landed in the city, took a taxi to my apartment. Stored my things, went to my computer, printed something that wouldn't shake away, and taped this to my wall:

It's all I think about now.

I may never be commercially prosperous or critically acclaimed or have a healthy, loving relationship.  But I can't let depression piss away what few moments I may have left.  I have got to keep working. Got to give more to myself.

Same as before, I'll break it down into three parts: what I've done this year, what I've learned, and what needs to change.

WHAT I'VE DONE

Performed in 8 productions this year - Even more than the year prior.  The first nine months were a blur.  I didn't even buy groceries for seven months at a time, I was so busy. 

Kept the 30 pounds off I lost last year - my weight's been fluctuating, and I haven't been nearly as good at doing exercise as I should, but still, I'm at 270 at my highest times.

Wrote 10 new original songs this year - it's been crazy.  Writing songs based on dares, writing wedding songs, music made in an effort to keep myself focused during the fallow winter period.

Booked a long term, Off-Broadway show - Saturdays, I perform a two-person version of The Lion, The Witch, and The Wardrobe, and it's been a lifesaver for me.

WHAT I'VE LEARNED

Giving up and refusing to fight will kill you.

Dating is not my path - after a break of a year or so, I aggressively dated in 2012.  Over a dozen women later, I've come to see that I'm the problem.  It's not my role on this earth.  Hard part now is accepting that.

Any creative, positive boon I've achieved this year is through the efforts of kind, wonderful people who took a chance on me and referred me to others.

I'll eat Thai food anywhere, anytime.

There is art and there is commerce, and I can't hold on to the silly notion that focusing on one will lead to the other.  This started in college, when several of my friends got really tv and movie focused and I (like now, not so wild about my looks) pored myself into theatre and thought that it would be the path to lead me to more lucrative work. It doesn't.  It's wonderful all its own, but will not yield a career.

Don't do theatre for free anymore.  You're 34. You've been doing it for free for a decade and a half.  Doesn't matter if it's a dollar, being paid is a form of respect for any job.

GOALS

1)Weigh 230 pounds one year from now.  I have a gym.  I have the time.

2)Better Self Care - this means so much that I've been slacking on in life.  New clothes, weekly groceries. Home cooked meals. New furniture. Massages. Books. Music. Seeing theatre by myself.

3)More career-minded work - on camera commercial acting classes.  A professional website for acting. Voice-over classes and a demo.

4)Produce and perform GHOST ON A STICK, my one man show - if the festivals I've submitted it to don't pan out, then I'll work with some producers to see what affordable venues I can get on my own.

Thanks to the following people:

the memory of my father
my mom
Jelina Seibert and Dave Seibert
Jeric Jones and Stephanie Girard
Bekki Doster
Mark Kinch
Jennifer Moraca
Tess Suchoff
Bobby Lux
Joe Hogan
Winnie Lok
Shannon Fillion
Ryan McCurdy
Alan Corcoran
April Newhouse
Paula and Emmett
Rob and Maureen
Michael Irish
Ginger Reiter
Julia Beardlsey O' Brien
Catherine Fowles
Tony White
Kristen Penner
Lorelei Mackenzie
Abigail Taylor
Rockford Sansom
Tod Engle
David Mendenhall