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Monday, December 31, 2012

Gift #2 - The Stinky Toe Sandwich Song - for my nephew, CD

Hey.

Running on an hour of sleep and was tempted to make the second gift this week another somber one.

Thought better of it, today.

Today, I want to push past the sad swimming round my guts.

Despite what I'm dealing with, I got up, did a wonderful production of  The Lion, the Witch and the Wardrobe this morning.  Hugged a few kids in the audience afterwards.  Days like these remind me that making things, making theatre, is ardently bigger than me.  Than my ruddy flaws and fears.  That if I just show up and be present, good things can happen.

Last week, when I was back in California, staying at my sister's home, when I wasn't holed up in bed trying to sweat or sneeze or cry out all the sick and grief, I got to play with my nephew CD (Carter David).  He's two, and the first time I brought out my guitar for him, he started dancing. Then, he rushed to his parents room, and handed me a fistful of dollar bills.

So, it's a given that whenever he wakes up from a nap, or is about to take his evening bath, dance parties with Ole Uncle Jara are gonna be rockin' !  Dance parties consist of him worming around my air bed while I sing and play him my songs.

I wrote this one just for him.  He picked up a habit of saying "No way" to my sister, and this silly tune got him to change it to "no, thank you".  If you have kids, or love songs about stinky toe sandwiches, listen and smile.

I know  - in the same month, I write this song, and the saddest song in the world? 

It's all Walt Whitman up in this dome!

Happy New Year, and thanks for reading my odes and nonsense.

LYRICS

stinky toe sandwich
whats that
stinky toe sandwich
ooo weee
stinky toe sandwich
oh boy
out comes the stinky toe sandwich

one bite
no thank you
one bite
chomp chomp
no thank you
one bite
no thank you
one bite
chomp chomp
no thank you


Sunday, December 30, 2012

Gift #1 - 21 shell casings

Hey.

Back in the city.  Spent a week in CA to see my family.  Buried my father Friday.

Still not well. Bad head cold. Sleeping no more than an hour or so a night.

This week, I'm gonna write about seven gifts, ones from past and present, that I've been given or that I've given out.  It's a way to keep moving.

And, to really kick my ass, I'm using the first gift as a chance to write my first new poem in over a year and a half.

Before I was an actor, before I was a writer or a singer or a playwright or a songwriter, I wrote poems.  Thousands of terrible poems. I wouldn't even talk to women.  I'd just write them these impromptu poems and leave them at their table.  Or while sleeping on a train. I thought poetry would forgive me. Minored in poetry writing in college.  For five years, earned more money and awards after college for poetry than I did in acting. And the poems slowly became more cohesive - less second-hand e.e cummings and Russell Edson - and more authentic.

But then I self-published a book of poems, RAMSHACKLE  (it's so cheap and so good and it has poems about people eating suitcases and drunk weathermen - go buy it like crazy) ,  and I stopped.  Acting and songwriting took over.

Here's the poem and the description of the first gift.


FIND THE PEA

The flag, folded and snug,
Slouches against my mother's breast.
My brother, with quiet mercy,
Offers her his hand. 
My nephew paws at the lip of his hoodie,
Trips and shuffles along the grass with his father.
My sister warms her brittle fingers.
She does not cry.      She keeps
Tradition.

I ease out of the wobbly plastic chair
when the honor guard captain
taps me on the shoulder.  I turn,
and see him hold up the shells
from the twenty one gun salute.

He grabs my hand,
slides the metal caskets across my palms.

People keep these.

My father in ashes, not three feet away
boxed in a wooden enclosure the size of a newborn.

He has a shell.

My brother, his humor, his love.
My sister, her son, her resolute strength
My mother, her faith , her determined ability to tell the same story seven different ways
to seven different people.

I'm going rotten
And I know it
If I don't grow some enamel quickly

Wednesday, December 19, 2012

We've Done So Well - new song, and a call to action

Hey.

This is all I have to say about the past few weeks.

It's a sloppy, raw song.  But it's the only way I know how to process this, how to pry myself away from cynicism and loss of hope.

I really wish change was a tangible force right now. 

I'm so scared it won't be.

Here's a few groups worth your time and money.  But it's nowhere near enough. Our masters need to join together and hear our cries. Not with speeches.  Not with symbols. But with clear compromise and resolve.

But how?

https://newtown.uwwesternct.org/

http://www.bradycampaign.org/

http://www.demandaplan.org/

LYRICS

weve done so well
developed tools to snuff life
quicker and quicker
weve done so well
offered them up like candy
and when the bodies fall
we lift the microphone high
record their screaming
we wear our somber faces
and throw our speeches in the air
afraid
to choke
the beast
of commerce

chorus

there is no bottom
there is no bottom
there is no bottom
for this wondrous
human
suffering

there is no bottom
there is no bottom
there is no bottom
for this wondrous
human
suffering

second  verse
weve done so well
dont have the tools when we get
sicker and sicker
weve done so well
keeping our problems
in a breath
that were holding
til we vomit
and if you dont
youre crazy
and with a word
remaindered
life sentence given
we act like its contagious
so unaware the virus
breeds inside
our silence
and denial

chorus

bridge
i really think weve done so well
that its high time we took a break
arent you proud that weve done so well
its a dream i hope we never wake
for if we really didnt want this
we would have rose up
stared down our leaders
gave em hell
weve done well

third verse
weve done so well
another week well wash our hands
and ignore it
weve done so well
meanwhile in new mexico
a pilot pushes buttons
burns a village
its such a joy to be alive
to see the corpses moulder
we have no power
our songs ephemeral
our voices withering and small
who will protect us from each other

chorus


Saturday, December 8, 2012

Taking Your Piece Off the Board

Hey.

Today's my sister's birthday and would have also been my parent's 40th anniversary.

They were married twice.  Eloped on this date in Reno, and then married in a church the next month.

Legend has it that my father only had about twenty bucks on him after the wedding ceremony and couldn't afford a hotel room.  Sidled up to the blackjack table, and through a combination of guts, luck, and thousands of hours of gambling experience, earned enough cash to garner a room for the young couple.

My father loved games.  The ritual of gaming. The patience needed to learn specific rules and patterns each game demanded.  Through him, we children discovered that games taught us countless lessons about ourselves: how we coped with stress, how we stuck through and finished the game no matter what, even if we were losing, and what our character truly was when the elements of being prepared, being lucky, and being crazy came into alignment and we were actually winning. 

These weren't always welcome lessons. I'd often be surprised and embarrassed by my own arrogance, or insanely angry and jealous that my siblings were able to dominate a game over and over again.  But I kept playing, kept paying attention.

Nowadays, I don't really run with a group of game playing friends. The ones that do play extremely detailed wartime strategy games which require a rule book the size of a baby's head. Those aren't fun, to me. If you can't describe the goal of a game in a single breath, I don't want to play it.  It may take my whole life to become good at said game, but the general conceit should be elegant and simple.

So, what do I do?  My Connect Four set hasn't been opened since I bought a new copy after wearing the old one out.  Yeah, I would wear Connect Four boards out,  I would make friends violently angry with me at how fast I'd beat them. My playing cards, my scrabble board, my Munchkin set, my Gloom cards collect dust in a closet.  I play video games and take on fifteen players at a time in Words with Friends, winning 90 percent of my games. 

But there's one game in that closet which makes me sad I haven't got to play with real, living souls in a long while:  Monopoly.

No one is casual about Monopoly.  You either love it or hate it.  It's not a short, conversational game. You don't play it with people you barely know, or the dark truths uncovered will stun you.

But it's my favorite game.  I remember my father teaching us kids the rules, the craft and guile one could use to make trades. It was one of the first games where he stressed to us how important it was to stick through it. Winners and losers were made in seconds, and even the best preparation depended on luck to strike.

And we adored him for it.  Even though he didn't coddle us and beat us time and time again. I started playing him Monopoly when I was about ten and didn't win a single game with him until I was seventeen. That's the sort of person he made me: one who spent years and years reading up on monopoly strategies, playing thousands of hours and not seeing any positive growth.  Just hoping that the time spent doing this made me more proficient, and would proffer success. If that's not a metaphor for my acting career now, I don't know what is.

Summers with my brother and sister were non-stop Monopoly games. A single round would often last days and days.  We'd fall asleep huddled around the board - a hastily written note tossed in the center to remind us whose turn it was to play.

Through Monopoly, we developed a catch phrase. When someone lost, after all their money and property had been sold and they landed on one rent too rich for their blood, we'd taunt them, saying:  "Well, all we have to do now is just take your piece off the board".  A mere swipe of a hand, and their entire existence in the game, wiped out.

Pretty grim stuff for children.

But, looking back on it now, I think only having your piece on the board left to take shows a quiet, defiant strength. We've all played rounds of Monopoly with less disciplined people who, upon hitting a rough spot of luck, toss their cash and property to the banker and just give up.  That's no fucking way to live. 

The game ends for everyone eventually. 
You must play it completely. 
Even if you're not winning. 
Even if the backhanded deals aren't going your way and the dice rolls don't shine in your favor. 

And, if you find yourself  a lowly shoe clopping onto Marvin Gardens with four houses and twenty dollars left to your name, you smile.  You smile goddamn wide.  You played this wonderful, cruel game well, and I love you for it.  You take your piece off the board.